![]() Husband and wife Johnson and Fancher (Cat, You Better Come Home) do not mime the author's pen-and-ink creations but work in pasty, expressionistic brushstrokes and blocky typefaces that change with the narrative tone. Spread by spread, the character metamorphoses into animals of varying hues, from an energetic red horse to a secretive green fish to a droopy violet brontosaur (""On Purple Days/ I'm sad./ I groan./ I drag my tail./ I walk alone""). The effort is pleasant but lightweight: ""You'd be/ surprised/ how many ways/ I change/ on Different/ Colored/ Days,"" announces a child, portrayed as a flat, gingerbread-man shape of yellow, then blue, then purple. Seuss, is no exception: he wrote but did not illustrate this rhyme, which assigns colors to moods. The archives of many a late author, from Margaret Wise Brown (Four Fur Feet) to Sylvia Plath (The It-Doesn't-Matter Suit), often yield unpublished manuscripts. ![]()
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